Playbook blackberry link movie#

The ellipsis in the middle gives the film a more intriguing energy than it would have had than if it had followed the standard playbook of meticulously tracking the rise and fall of a product and its makers. It shows us the beginning and end of this story but nothing else. The most fascinating thing about the script, co-written by Johnson and Matthew Miller, is its structure. It’s one of the coolest portrayals of losers doomed to be historical footnotes that you’ll ever see, with a needle-drop soundtrack so cannily chosen that every song on it will probably be used in a commercial for a Fortune 500 company within the next two years.ĭirected and co-starring Matt Johnson and inspired by Jacquie McNish and Sean Silcoff’s business history, Losing the Signal, “BlackBerry” is shot in a raggedy, trembling handheld style that suggests what an episode of “The Office” guest-scripted by David Mamet might have felt like. I’ve seen colleagues insist that “BlackBerry” should be shown in business school classes as a cautionary tale, but it’s easier to imagine a group of young guys in ties putting it on after a long night of carousing and reciting the dialogue together until they pass out. Instead of shooting, stabbing, or beating each other, or chasing each other in vehicles, characters in MoneyBro cinema insult each other, construct elaborate traps that play on insider knowledge or exploit an opponent’s weaknesses and pathologies, score vindicating promotions and huge paydays, and try to see how long they can keep a streak going before someone slaps handcuffs on them.

Playbook blackberry link movie#

“BlackBerry” is a MoneyBro movie par excellence, right up there with “ Wall Street,” “ Glengarry Glen Ross,” “ Boiler Room,” and “ The Wolf of Wall Street.” It shares their key, defining trait: even though its main characters are either charismatic sociopaths or sheep, and the capitalist system they operate in is deeply corrupt and rewards men without morals or conscience, the story is so excitingly told, the performances so watchable, and the dialogue so quotable that it becomes the verbal equivalent of an action flick-kinetic, suspenseful, and sometimes unexpectedly beautiful and weirdly moving.